The 788T’s drives are formatted with the FAT32 file system, which is limited to a maximum possible file size of 4 GB minus 1 byte. To work with the limitations of FAT32, the 788T “splits” the files into 4 GB (or smaller) files when continuously recording, based on the menu selected in the recorder. (more…)

Jesse describes the simple process to set the PIX 240i to record and follow from the Arri Alexa. Start/Stop, time code, and file name metadata are carried across from camera to recorder. (more…)

The Nikon D800 has become a popular camera for video production. Its “clean” HDMI video output and FX-sized sensor make it attractive for a wide variety of productions. A Sound Devices PIX 220, PIX  220i, PIX 240,  or PIX 240i used as the recorder provides higher data rate, edit-ready files in either Apple ProRes or Avid DNxHD. The combination of a Nikon D800 and PIX recorder is a powerful, high-definition camera system. (more…)

The video below highlights the extensive input and output flexibility available with the 664 Field Mixer.
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Sound Devices announces the immediate availability of its latest revision of firmware, Athena (v 2.01) for the PIX 220 and PIX 240 Video Production Recorders. This new release introduces several important new features.

For full details and revision history visit the Firmware Download Page

When shooting with a Panasonic HDX-900 camera and the PIX 240, two menu items in the HDX-900 must be set to ensure proper Auto Record operation. (more…)

The following is a compilation of suggestions for improving the audio performance of your computer. The following workarounds may have minimal, drastic, or no effect on your particular computer system. We encourage you to experiment to find which workaround(s) work best for your particular setup. (more…)

Take a look at the latest video from Sound Devices. Matt Mayer briefly describes the settings to transfer Red file name metadata and SDI start/stop flags to the PIX 240 recorder. (more…)

Sound Devices is taking an aggressive, preventative step and recalling select CL-9 Linear Fader Controllers shipped in 2011. The CL-9 units in question may exhibit short-term or long-term failures due to faulty PC boards. If a failure were to occur, controls could activate without input from the user. The units being recalled are within a specific serial number range, CL-9 units with serial numbers between JJ0410349000 and JJ0411123002.* No additional CL-9 units are involved. (more…)

News magazine, interview, and reality productions often require transcription recordings with corresponding time code. With its built-in recorder and time code reader the 552 can easily accommodate this requirement. (more…)

If you are one of the millions of users with an iPhone 3G+, late model iPod Touch, or iPad, Sound Devices product User Guides are easily stored and viewed on these portable devices with the latest version of the free iBooks app (version 1.1+). The latest edition of iBooks supports PDF files. Having product documentation close at hand is a helpful reference in the field. (more…)

Sound Devices regularly receives questions about specific production applications. Below is typical question relating to dual-system sound for music production with a Sound Devices 552: (more…)

The introduction of the 552 mixer brings a powerful new feature to field mixers, a high-quality integrated audio recorder. It is unquestionably convenient to have a built-in recorder with a field mixer. With the addition of its recorder, one question that comes up is whether the 552 can be substituted in place of a 7-Series recorder. The short answer is…yes…and no. (more…)

Watch a brief three minute video overview of the new 552 mixer here.

Over the years, several accessory cables have come and gone. The XL-40 was a simple XLR male to XLR female cable with a switch-selected 40 dB pad. (more…)

With a near complete shift from tape-based digital (DAT) and analog recording formats to file-based digital audio recording formats, the choices of audio file types have exploded. In the recent past, audio engineers would set their DAT recorder to 48 kHz, record its two audio tracks as either dual-mono or stereo, and would then concentrate on the business of getting great sound. With a file-based work flow, there are other elements that need to be considered to ensure a smooth transition from the field or studio to the editing suite. (more…)

Multi-channel surround sound recording has historically been a gear-intensive process, requiring a multi-track recorder and multiple microphones. One tool used to reduce the complexity of surround recording is the SoundField microphone system. (more…)

January 20, 2003

Sound Devices, with the assistance of Fletcher Chicago, performed complete, instrumented audio tests on Sony’s HDW-F900 HD Video camera. This testing was performed in response to inquiries from Sound Devices customers concerning interconnect and set-up with the F900 camera. Audio performance of several other popular (some now discontinued) Sony video cameras is included for comparison. This test data reveals how to set your mixer for best interconnection, as well as how well the camera performs as an audio recorder. (more…)

Q: I’ve made a bunch of recordings of interviews in Russia that the producer wants to have translated with time code. Unfortunately no one is familiar with broadcast wave audio files. I have found a program called Audacity, but it doesn’t read the time code. (more…)

Sound Devices 442 and 302 mixers along with the 7-Series Digital Recorders have the ability to accept, monitor, and decode MS stereo signals. MS (mid-side) stereo is a popular stereo microphone technique because of its good spatial imaging, mono compatibility, surround-sound compatibility, and ability to adjust the stereo field in post production. (more…)