Tag: 633

Slot receiver mounting kit

SONY DSC

Made By: Black Audio Devices.

A High Quality Hard Anodized Aluminium Rack for Soundbags The modular rack is a combination of wings, base and slotcam. A helpful device to attach pro audio equipment from manufacturers such as Sennheiser, Wisycom and many more on a Sound Devices mixer.

Soundbag Dashboards

Made By: Soundbag Dashboards.

Soundbag Dashboards can help you create your ultimate production sound bag.  

Just like the dashboard of your vehicle, Soundbag Dashboards place all of the audio gear you depend on, right in your line of sight, ensuring you can quickly and easily monitor your equipment. Soundbag Dashboards are designed to mount to your audio mixer and lay out your wireless receivers right in front of you for easy viewing and access. Some models also feature the ability to mount DC power distribution systems including the Remote Audio RM remote, the Battery Bud and various Audio Root models.

Now with our new Modular Dashboard System, you can choose exactly how you want to build your Soundbag!

Fader Knobs Glow-In-The-Dark / 2-Color for 8-Series

Made By: Bioluminous.

We have worked with production sound mixers from all around the world to design and perfect a set of fader knobs for Sound Devices recorders. The stock factory knobs are sharp to the touch and hard to see in dark conditions or in a bag. These knobs are designed to feel very nice on the fingers with smooth, sculpted edges. And easy to see because they glow after exposure to light.

Large fader knobs sit 1.5mm higher than the factory knob for easier access. Small fader knobs sit approximately 4mm higher than the stock knob and do not retract flush like the stock one does. All knobs feature a main color along with a phosphorescent white section that glows green when exposed to light (we recommend using a small keychain UV LED to charge the glow for the best effect). After exposure, the knobs will glow for a while.

Will fit many models (please contact us if you have a model not listed in the title).

Products Mentioned

633

Learn More

MixPre-10 II

Learn More

MixPre-3 II

Learn More

MixPre-6 II

Learn More

Wingman

Learn More

633 Specifications

Click on each group to expand. Specifications are subject to change without prior notice.

Analog Inputs
  • Frequency Response
    • 10 Hz to 40 kHz ± 0.5 dB, -3 dB @ 65 kHz (192 kHz sampling rate reference 1 kHz)
  • THD + Noise
    • 0.09% max (1 kHz, 22 Hz–22 kHz BW, fader at 0, 0 dBu output)
  • Equivalent Input Noise
    • -126 dBu (-128 dBV) maximum. (22 Hz – 22 kHz bandwidth, flat filter, trim control fully up)
  • Input Types
    • XLR Mic: active-balanced for use with ≤600 ohm mics, 4k ohm actual; 12V or 48V phantom power, 10 mA max
    • XLR Line: active-balanced for use with ≤2k ohm outputs, 10k ohm actual
    • TA3 Line: active-balanced for use with ≤2k ohm outputs, 10k ohm actual
    • RTN (3.5 mm): unbalanced stereo for use with ≤2k ohm outputs, 30k ohm actual
  • Maximum Input Level
    • XLR Mic: 0 dBu (0 .78 Vrms)
    • XLR Line: +40 dBu (80 Vrms)
    • RTN (3 .5 mm): +24 dBu (12 .4 Vrms)
  • Maximum Gain
    • Mic-In-to-Line-Out: 91 dB
    • Mic-In-to-Aux-Out, -10 Out: 77 dB
    • Line-In-to-Line-Out: 39 dB
  • High-Pass Filters
    • Sweepable 80 Hz to 240 Hz, 12 dB/oct at 80 Hz, 6 dB/octave at 240 Hz
  • Microphone Powering (each analog Input selectable)
    • 12 V Phantom: through 680 ohm resistors, 10 mA per mic available
    • 48 V Phantom: through 6 .8k resistors, 10 mA per mic available
  • Analog Input Limiters (Inputs 1-3)
    • Affects the output of the mic preamps only (‘Trim’ stage) · +16 dBu threshold (fixed)
    • 20:1 limiting ratio
    • 1 mS attack time
    • 500 mS release time

Digital Inputs
  • Input Types
    • XLR AES: AES3 or AES42 (10 V power), SRC
  • Digital Input Limiters (Inputs 1-6)
    • Post-fader
    • +6 dBu to +18 dBu threshold (adjustable) · 20:1 limiting ratio
    • 1 mS attack time
    • 500 mS release time
  • AES42
    • AES42 Mode 1, provides +10 V Digital Phantom Power

Analog Outputs
  • Output Type
    • XLR Line: Active Balanced for use with ≥600 ohm inputs
    • XLR -10: Active Balanced for use with ≥10k ohm inputs
    • XLR Mic: Active Balanced for use with ≥600 ohm inputs
    • TA3 Active Balanced Mic/Line: pin-2 and 3 driven, for use with ≥3k ohm inputs · X3,X4 (3 .5 mm): Unbalanced, stereo, for use with ≥6k ohm inputs
    • Headphones (1/4”): Unbalanced, stereo, for use with 8-2k ohm headphones
  • Output Impedance (ohms actual)
    • XLR and TA3 balanced outputs: 100 ohms at Line setting, 3 .2k ohms at -10 setting, 150 ohms at Mic setting
    • TA3 Balanced Outs: 1k ohms at Mic and Line settings · X3,X4 (3 .5 mm): 100 ohms
    • Headphones (1/4”): 100 ohms
  • Line Output Clipping Level (1% THD)
    • 20 dBu minimum with 10k load
  • Maximum Output Level
    • Line: +20 dBu (7.8 Vrms)
    • -10: +6 dBu (1.5 Vrms)
    • Mic: -20 dBu (0.078 Vrms)
    • Aux 3/4: +6 dBu (1.5 Vrms)
  • Output Limiters
    • Affects the outputs of the mixer
    • Threshold selectable from +4 dBu to +18 dBu, 1 dB steps · 20:1 limiting ratio
    • 1 mS attack time
    • 500 mS release time
  • Maximum Gain
    • Typical (Trim, Fader, Master, Phones, RTN fully up)
  • Maximum Gain – Mic Level
    • Master Outs (XLR) @ LINE 91 dB
    • Master Outs (XLR) @ -10 77 dB
    • Master Outs (XLR) @ MIC 51 dB
    • X3, X4 Outs (3 .5 mm) 77 dB
    • Headphones (1/4”) 107 dB
  • Maximum Gain – Line Level
    • Master Outs (XLR) @ LINE 51 dB
    • Master Outs (XLR) @ -10 37 dB
    • Master Outs (XLR) @ MIC 11 dB
    • X3, X4 Outs (3 .5 mm) 37 dB
    • Headphones (1/4”) 67 dB
  • Maximum Gain – Return
    • Headphones (1/4”) 5dB

Digital Outputs
  • AES3 Output
    • Transformer-balanced AES Out A,B on XLR
    • 110 ohm, 2 V p-p, AES and S/PDIF compatible with RCA adaptor

Recording
  • Sampling Frequency
    • 44.1 kHz
    • 47.952 kHz
    • 48 kHz
    • 48.048 kHz
    • 88.2 kHz
    • 96 kHz
    • 192 kHz
  • A/D
    • 24 bit
  • A/D Dynamic Range
    • 114 dB, A-weighted, typical
  • Recording Storage Type
    • SD, SDXC, SDHC Card
    • FAT32 or exFAT formatted, will format media on-board
    • CompactFlash (CF)
    • FAT32 formatted for CF and SD 32 GB, will format memory cards in-unit
  • File Type
    • Record: WAV (Broadcast Wave File format), polyphonic or MP3
    • Playback: WAV (Broadcast Wave File format), polyphonic or MP3

Timecode and Sync
  • Modes Supported: off, Rec Run, Free Run, 24h Run, External
  • Frame Rates: 23.976, 24, 25, 29.97DF, 29.97ND, 30DF, 30ND
  • Accuracy: Ambient generator, 0.2 ppm (0.5 frame in 24 hr)
  • Time Code Input: 20k ohm impedance, 0.3 V – 3.0 V p-p (-17 dBu – +3 dBu)
  • Time Code Output: 1k ohm impedance, 3.0V p-p (+3 dBu)
  • Sample/Timecode Accuracy
    • ± 0.2 ppm (0.5 frames per 24 hours)

Power
  • External: 10-18 V on locking 4-pin Hirose connector, pin-4 = (+), pin-1 = (-).
  • Removable x 2: 7.2 V (nominal) Sony L-type Li-ion, operational from 6.5–8.5 V,
  • Internal: accepts 6 AA-sized (LR6) batteries, 1.2-1.6 V nominal (NiMH rechargeable compatible)

Environmental
  • Operating: -20°C to 60°C, 0 to 90% relative humidity; (non-condensing)
  • Storage: -40°C to 85°C

Dimensions and Weight
  • Dimensions: 6 cm x 24 cm x 14 cm (H x W x D); 2.2” x 9.4” x 5.6”
  • Weight: 1.1 kg; 2 lbs. 9 oz. (unpackaged, without batteries)

>