We take a brief look at the basics of timecode and multi-device synchronization with audio and video recorders.
The following is a compilation of suggestions for improving the audio performance of your computer. The following workarounds may have minimal, drastic, or no effect on your particular computer system. We encourage you to experiment to find which workaround(s) work best for your particular setup.Continue reading “Troubleshooting Computer Audio Performance”
Quick sample of importing an 8 track poly WAV file into FCP X.
A brief video on importing Multi-Track WAV into Final Cut Pro X.
Apple Final Cut Pro and Avid Media Composer use Broadcast Wave file time code metadata in different ways. This tech note highlights a few important things to be aware when importing WAV files containing BWF time code into these editing tools.Continue reading “How Final Cut and Avid Import BWF Time Code Metadata”
Canon’s 5D Mark II will likely go down in history as the camera which forever changed the definition of a still camera, and of a video camera. The full-frame sensor “5DII” demonstrates that one device can successfully be used as both a superb still camera and as a creative motion picture camera. The 5D II is showing up in applications where 16 mm film and traditional 2/3-inch sensor high-definition video cameras are used, such as talking head interviews, exteriors, landscapes, and the like. Like most video cameras, the 5DII was designed as an imaging device first…and an audio device last. Sound Devices receives numerous inquiries about the audio performance of the 5DII, both in use when recording to its on-board audio circuit and also when used “film-style” with a separate audio recorder. We grabbed our 5DII, updated it to the latest 2.0.4 firmware, and performed tests. This note includes both measured and subjective observations.Continue reading “Audio Performance of Canon 5D Mark II Camera”