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How Final Cut and Avid Import BWF Time Code Metadata

Apple Final Cut Pro and Avid Media Composer use Broadcast Wave file time code metadata in different ways. This tech note highlights a few important things to be aware when importing WAV files containing BWF time code into these editing tools.

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Audio Performance of Canon 5D Mark II Camera

Canon’s 5D Mark II will likely go down in history as the camera which forever changed the definition of a still camera, and of a video camera. The full-frame sensor “5DII” demonstrates that one device can successfully be used as both a superb still camera and as a creative motion picture camera. The 5D II […]

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Troubleshooting Wave Agent Mac Installations

Wave Agent is a simple, powerful tool to aid sound mixers in previewing audio files and performing essential metadata editing. In most cases, Wave Agent installs with no troubles in Mac OS. If you do have installation troubles, the steps below can help get Wave Agent up and running in the Mac OS environment.

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Dual System Sound for Music Production

Sound Devices regularly receives questions about specific production applications. Below is typical question relating to dual-system sound for music production with a Sound Devices 552:

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552 Gain Control Topology

To provide the extensive control and flexibility provided by the 552, its high-performance analog circuitry is infused with numerous control types. Digital control of analog signals provides the circuit designer with the power to offer features that analog alone can’t offer. The mix of different control types for gain in the 552 include analog potentiometers, […]

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788T Limiter Overview

High quality limiters are an essential tool for the production sound mixer’s tool kit. As the number of sound sources increases it becomes increasingly difficult to anticipate sudden and excessive changes in the volume levels of multiple sound sources. To prevent input overload, the 788T, like all Sound Devices field production mixers and recorders, has […]

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