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Connecting 970/PIX260i/270i with the Yamaha 01V96 via Dante Audio Networking
The Sound Devices/Video Devices 970, PIX 260i, and PIX 270i units benefit from the inclusion of Dante digital audio networking capability. Dante allows for many channels of digital audio to be transferred between any Dante-compatible devices on a Dante network. Utilizing Dante, microphones, preamplifiers, mixers, recorders and many other devices may be connected together on […]
Read The Full ArticleOutputting 4K DCI (4096×2160) from the Sony FS7 to PIX-E
The Sony FS7 camera is capable of sending 4k video signal from its HDMI output. Follow the steps below to set up the FS7. Go to the User menu Select the Codec menu item and set to XAVCi Select the Rec menu item and set to video format to 4096 29.97p or 23.98p Select the […]
Read The Full Article6G-SDI Signal from Blackmagic URSA Camera with PIX-E7 / PIX-E5
All of these criteria must be met to properly send 6G-SDI signal from the Blackmagic URSA camera to a PIX-E7 or PIX-E5 recording monitor: Use a high quality SDI cable. Connect SDI cable to the rear SDI output of the camera. The side output will only send HD signal. Set the camera to record 3840 […]
Read The Full ArticleChapter 6: CL-12 Metadata
This is the sixth installment in a series of videos on Sound Devices CL-12 linear fader controller. In Chapter 6, Paul Isaacs, director product management & design, talks about metadata entry with the CL-12.
Read The Full ArticleChapter 5: CL-12 EQ & Outputs
This is the fifth installment in a series of videos on Sound Devices CL-12 linear fader controller. In Chapter 5, Paul Isaacs, director product management & design, talks about 3-band EQ and adjusting outputs or track levels.
Read The Full ArticleChapter 2: CL-12 Connection to the 688
This is the second installment in a series of videos on Sound Devices CL-12 linear fader controller. In Chapter 2, Paul Isaacs, director product management & design, talks about disconnection and reconnection of the CL-12 to the 688 mixer/recorder.
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