What kind of Sound Devices do you need? For multi-camera interviews, and single camera ENG-style acquisition, take a look at our portable field mixers. Our mixers and digital recorders are the best-of-breed choices for documentary film & video production. If you're working in feature film production, sound effects gathering, or live music recording, try Sound Devices' preamps and headphone amps. Sound Devices also produces a quality compact computer audio interface for sound recordists who want to go straight to digital.
The two-track 702 opens the doors to portable high-resolution, 24 bit, high sampling rate, file-based audio recording. The 702 records to removable CompactFlash or external FireWire drives. Its field-tested all-metal chassis weights about two pounds. It is powered from standard Li-ion camcorder batteries or external 10–18 VDC.
The 722 is the ultimate DAT upgrade. The two-track 722 breaks limitations of 16-bit DAT and opens up the world of high-resolution 24 bit, 192 kHz (sampling) audio recording. The 722 records to its internal 40 GB hard drive, removable Compact Flash cards, external FireWire drives, or any combination of the three. The sub-three pound 722 is powered from standard Li-on camcorder batteries or external 10–18 VDC.
The 788T is a powerful eight input, eight-track digital audio recorder designed for production sound. Building on the success of the proven 7-Series architecture, the 788T offers greatly expanded input and output connectivity while continuing the 7-Series heritage of extensive control in a compact package.
The full-featured time code implementation of the 702T is designed specifically for dual-system film and video productions where audio needs to be master. Plug in an external keyboard using the CL-1 and be equally at home in the bag or on the cart. The 702T records to removable Compact Flash or to external FireWire drives. The two pound 702T is powered from standard Li-on camcorder batteries or external 10–18 VDC.
The 744T is a compact, high-resolution four-track digital audio recorder with time code. The 744T records to its internal 40 GB hard drive, removable Compact Flash cards, external FireWire drives, or any combination of the three. With sample rates between 32 kHz and 192 kHz plus full read/write time code, the 744T is the perfect tool for any critical recording environment — from over-the-shoulder to cart-based production.
The 302 is stunning in size, flexibility, control and performance; it is the most compact and cost-effective battery-powered professional audio mixer in its class. With important features to accommodate nearly any over-the-shoulder production, the 302 interfaces with any professional microphone, wireless system, and camera / recorder input.
The 442 Nordic (442N) Field Production Mixer is virtually identical to the 442, with the exception of its Nordic scale PPM meter instead of the SMPTE-based peak meter on the 442.
The 442 Field Production Mixer sets a new standard for functionality, size, and performance for portable audio mixers. Its design was driven by the requirements of professionals in film, TV news, documentary, radio, effects recording, and music production.
The MixPre is great for use with small format digital cameras for superior audio quality! Feature packed, portable, two-channel microphone preamp/mixer. With pan switches, 1 kHz tone oscillator, and slate mic. Includes 48-volt phantom, high performance metering and headphone monitoring. Powered from 2 AA or external DC.
The MM-1 combines two essential production functions — microphone preamplification and headphone monitoring — in one compact product. The MM-1 is a no-compromise, studio-quality microphone preamplifier with phantom power, high-pass filter, and built-in limiter. With its monitoring function providing fold-back of preamp audio and external monitor audio, the MM-1 is at home in the most complex broadcast remotes, theatrical productions, and intercom setups.
The MP-1 is a portable, single channel, battery powered microphone preamplifier with 20 Hz – 50 kHz bandwidth and >120 dB dynamic range. Features include 48-volt and 12-volt phantom power, high pass filter, limiter, transformer-balanced input and output. Powered by 2 AA batteries.
The USBPre is the complete, portable hardware interface for PC-based digital recording. Quickly and easily interfaces microphones, musical instruments, line level, and digital audio with personal computers. Designed for USB-equipped Macintosh® OS and Windows (98SE® / ME / 2000® / XP) computers. Version 1.5 hardware includes S/PDIF coaxial I/O to the analog inputs.
The HX-3 Headphone Amplifier allows you to add headphone outputs to any piece of gear. It quickly and simply provides three high-current stereo headphone feeds with individual level controls. Great for radio, television, and film production applications.
The MM-1 combines two essential production functions — microphone preamplification and headphone monitoring — in one compact product. The MM-1 is a no-compromise, studio-quality microphone preamplifier with phantom power, high-pass filter, and built-in limiter. With its monitoring function providing fold-back of preamp audio and external monitor audio, the MM-1 is at home in the most complex broadcast remotes, theatrical productions, and intercom setups.
Designed for Production Sound Mixers and Post Production Editors, Wave Agent provides a comprehensive and indispensable range of tools for preparing audio files for problem-free passage through complex production workflows.
Wave Agent Classic is a powerful software utility for use with WAV and FLAC files generated by the 7-Series recorders. Wave Agent Classic converts between poly and mono file formats and converts FLAC files recorded by the 7-Series to WAV.
Carry Cases - cases for product usage and storage
Cables - Valuable interconnects for audio and time code.
Power Accessories - accessories for mixer and recorder powering
See a listing of products removed from our product line. Recommended replacements are also indicated.